CUT
First Cut cut on what is said, then Next Cut to dress it. You no longer start from an empty timeline: you start further along.
We give you the full cut. You keep the final cut.
5 models
01 · 02Clean + Derush4 to 6 h 45 minthe shoot day, sorted and logged
03First Cut20 minthe first version, cut on what is said
04Next Cut20 minmusic, cutaways and subtitles added
For film and television05TAKES0 creditsdialogue takes, grouped by shot size
01 · Clean
02 · Derush
03 · First Cut
04 · Next Cut
05 · TAKES
Studio IA
Your style
Around the 5 models
Studio IA
Four generation tools, right inside Resolve: video, image, voice cloning, music.
your engines: locally in your ComfyUI, or with your own API key
Your style
FULLCUT learns your grammar from your own edits, and every film you deliver makes it sharper.
shot length · coverage · how long you hold a face · how often you cut away
Try it 14 days
No card · no watermark
The thankless part is done.
Here is where the four to six hours went, and what is left of them.
3 h of footage
135 files
2 cameras
0 notes
| The task | By hand | With FULLCUT |
|---|---|---|
| Open, sort and relink the proxies | 15 min | 5 min |
| Separate the interviews from the cutaways | 20 min | 5 min |
| Listen through the interview to know what is said, and organize it by chapter | 2 to 3 h | 10 min |
| Sort the cutaways by category | 1 h 30 to 3 h | 25 min |
| Find one exact sentence | 10 to 20 min | 2 s |
| Your time | 4 to 6 h | 45 min |
The thankless part is done.
Middle column: the time it took us, here, before. Right column: measured on our own projects.Start it, and walk away.
The compute needs nobody
Steps 01 and 02 · what it does with your card
Clean + Derush.
Plug in the card and walk away. It sorts the project, opens every file, listens to what is said in it and flags whatever it is unsure about. Nothing is deleted.
01The project sorts itself.
Master
01 TIMELINE
02 RUSH
A RUSH VIDEO
B RUSH SON
03 ELEMENTS
A MOTION
B MUSIQUE
A7IV_0042.MP4→ 02 RUSH / A RUSH VIDEO
A7IV_0043.MP4→ 02 RUSH / A RUSH VIDEO
C0817.MP4→ 02 RUSH / A RUSH VIDEO
ZOOM_0031.WAV→ 02 RUSH / B RUSH SON
A7IV_0058.MP4→ 02 RUSH / A RUSH VIDEO
C0824.MP4→ 02 RUSH / A RUSH VIDEO
LOGO_ANIM.MOV→ 03 ELEMENTS / A MOTION
PISTE_01.WAV→ 03 ELEMENTS / B MUSIQUE
02Every shot gets listened to.
Interview0.94
B-roll
B-roll
B-roll
Interview0.93
B-roll
To review?
B-roll
B-roll
Interview0.95
B-roll
B-roll
Transcription that thinks.
Every sentence is written down, timestamped and searchable. Eight months later you are not looking for a file name: you are looking for what was said.
00:14:02:11CAM A
“if I had to do it again, I would do exactly the same”
2.4 s
00:31:47:03CAM B
“we had to start it all over again from the first line”
3.1 s
00:52:19:22CAM A
“doing it again is what we do best here”
2.0 s
Send to bin
The subclip is 2.4 s, not the 142 s take around it
An assistant editor.
It has listened to everything. Ask it anything about the shoot: it answers with timecodes, and it tells you when the speaker corrects himself.
You
does he talk about training the teams anywhere?
FULLCUT
Three times. 00:12:40 on camera A,
we train everyone in house· 00:38:02,
training is two weeks· 00:51:17. The second one is the cleanest, 4.1 s, and it cuts clean.
You
does he give a number for how many restaurants?
FULLCUT
Once only, 01:03:55:
today we are at ninety two. Careful, he corrects himself two seconds later and says
ninety five.
Everything has been listened to. All that is left is to ask.
The project is sorted, every sentence is findable, and the assistant hands you the quote, the number or the angle you were after. You walk in the morning: the shoot is waiting for you in order.
It all lands in your project.
FULL
Clean sorts the whole shoot. Derush organizes it by cutaway and by spoken line. Every shot listened to, every sentence timestamped. Nothing thrown away.
Step 03 · once Derush is done
You steer FULLCUT. It builds the First Cut.
Write your chapters, or ask it to suggest some. You correct them: it is your order that goes to the edit.
01
Your chapters, or its own.
You write them, or it suggests some when inspiration is short.
02
Your duration.
Fixed, or flexible. It cuts on the sentence, never in the middle of a word.
03
Your reference films.
One or more films whose build you like: it takes its bearings from them, for First Cut as for Next Cut.
04
First Cut.
It hands you a picture cut, built on what is said, editable shot by shot inside your project.
05
Next Cut.
FULLCUT adds the cutaways, the music and the subtitles.
The blank page is gone. It arrives already cut.
First Cut lays the speech down in the order you gave, Next Cut dresses it, and everything stays editable, shot by shot, inside your Resolve project.
TAKES
Short film · television series · feature
On a scripted shoot the material is not an interview: it is a script, setups, takes. TAKES listens to the whole shoot and lays every line onto a review timeline: one marker per setup, and every take of it in a row.
Review timeline
Local transcription · no online model · no credits
Alma
Noé
Line 01 · Setup 1 · Close-up
“You knew he would come.”
Take 01
Take 02
Take 03
Line 01 · Setup 2 · Wide shot
“You knew he would come.”
Take 01
Take 02
Line 02 · Setup 3 · Wide shot
“I did not know when.”
Take 01
Take 02
One marker per setup · 1 s between groups · color = who speaks
01
The whole shoot, listened to.
Every line is found and laid down, take after take. You no longer listen to find: you listen to choose.
02
Sorted the way an editor would.
By line, by shot size · close-up, wide · and in shooting order.
03
And you hold the keyboard.
Add your instructions, the dialogue script, your own sorting notes: the classification bends to the way you work, and your corrections come before whatever the machine read.
04
Nothing goes to a cloud.
The text, the script and the shot size are all computed inside the software. No online model, no credits, no data sent.
It sets up the comparison. You choose the take.
The review timeline lands in your Resolve project, ordinary and editable. TAKES does not grade the performance and picks no angle for you.
How it works
Your machine does it all. Claude, if you want it.
FULLCUT installs next to DaVinci Resolve Studio and works inside your project. The intelligence is one button away: everything local on your machine, or Claude for the steps that reason.
Sorting the rushes
On your machine
Claude Haiku
Claude Sonnet
Claude Opus
On your machine: nothing leaves it, not even the text.
Building the versions
Claude Haiku
Claude Sonnet
Claude Opus
The transcript text goes to Claude. The picture and the sound, never.
01
One button, two worlds.
All local: sorting, Derush and transcription are computed at your place. Or plug in Claude, and pick the model, from the quickest to the finest.
02
The picture and the sound never leave.
In both worlds. When a step sends text to Claude, the screen names it: you know what leaves, and what does not.
03
Nothing to wire.
No workflow to connect, no terminal: FULLCUT ships with its own graphs and talks to Resolve on its own.
04
First Cut and Next Cut: with your Claude.
These two models reason with Claude, so you need a Claude subscription. Clean, Derush and TAKES run without one.
What you need
DaVinci Resolve Studio
Windows
16 GB of video memory
Claude subscription · for First Cut and Next Cut
Who is behind it
It was not born in a lab. It was born in an edit suite where Monday's shoot had to be delivered on Friday.
SIGNS is a creative studio based between Paris and Geneva. More than two thousand films made around the world since 2017, for luxury houses, record labels, manufacturers and institutions.
2,000+films delivered
Since 2017in business
Paris · Genèvethe studio
Studio clients
LVMHCheval BlancRoyal MonceauRémy MartinWarner MusicRenaultLa PosteLes ÉchosM6AG2R La MondialeAllianzCroix-Rouge
signsfilms.fr
Written by the people who edit.
A working studio, not a lab
STUDIO IA
Video · image · voice cloning · dubbing · music · automatic multicam edit
A shot is missing, the client wants it in English, the music does not land right: it gets settled inside Resolve, without opening another piece of software.
Vidéo
Extend a shot that runs short, erase what is lying around in frame, build the shot that was never filmed.
your ComfyUI · or your own API key
Image
The visual the edit is missing: generated, or edited from a frame of the film.
your ComfyUI · or your own API key
Voice cloning
The line the mix is missing, in the voice of the film.
on your machine · nothing else
Dubbingin development
It clones your speakers' voices, translates inside each line's own slot, dubs it and syncs the lips. You get a complete timeline back: the original underneath, the dub on top.
add-on module · in development
Musique
At the film's exact length: composed, or pulled from your catalog and recut when the edit moves.
on your machine · or your catalog
Automatic multicam editin development
A conversation shot on several cameras, cut on whoever is speaking.
add-on module · in development
01
Everything in its place. The AI too.
All six tools live in the same Resolve panel: you never leave your edit.
02
Your ComfyUI, nothing to wire.
FULLCUT ships with its own graphs and sends them to the ComfyUI you already run. Its address, and that is all: your models, your machine.
03
Or your own API key.
For the online steps: your account, your rates. The screen always says which of the two is working.
04
The render comes back in its own bin.
Nothing scatters: what FULLCUT makes gets filed, like everything else.
The catalog, inside Resolve
Your Epidemic Sound subscription, wired into the edit.
- Search by brief, by similar track, or inside your playlists
- The track arrives at the film's exact length · the only one able to do it, out of eleven catalogs we looked at
- It recuts itself when the edit moves
- Sound effects and voice-over from the same catalog
One catalog is wired in today, with your own subscription. The others need an agreement with their publisher.
Compatible today
DaVinci Resolve Studio
ComfyUI
Claude
Epidemic Sound
What it learns from you
The more you edit. The better it knows you.
It reads your old Resolve projects and draws your grammar from them: how long your shots run, what you cover, how long you hold a face, how often you cut away.
01
Nothing leaves your disk.
It reads your project backups where they already sit, offline and read only. Nothing sent, no account, no box to untick.
02
Every film you deliver makes it sharper.
The first five give it an idea of you. The ones after give it your signature.
03
It is yours, not an average.
No two editors cut alike, and that is exactly what it goes looking for in your work. Not the trade's average: your way.
04
And it starts on day one.
Your old edits already exist. It does not wait for you to work with it to know your style.
All of it so that all you have left is the creative work.
Pricing
You buy it once. It is yours.
One installer, modules that switch on. Perpetual license, updates included forever. Modules still to come will be sold separately.
Launch price
For thirty days, from 15 September to 15 October 2026 inclusive.
The foundation
Clean + Derush
The shoot sorted into bins, the speech logged, search by what was said.
€79
then €99 after launch
Try it 14 days
For scripted work
+ TAKES
Clean + Derush, plus the scripted shoot: takes grouped by line and shot size.
€99
then €199 after launch
Try it 14 days
The editing path
Editing
Clean + Derush, First Cut and Next Cut: the first version, then the dressing.
€139
then €299 after launch
Try it 14 days
The fullest editing bundle
Montage + TAKES
The whole editing path, scripted work included. Four models, one installer.
€159
then €399 after launch
Try it 14 days
Standalone block
Studio IA module
Video, image, music, voice · on your ComfyUI or with your own keys.
€39
then €79 after launch
Try it 14 days
All of FULLCUT
FULLCUT COMPLET
Editing, TAKES and the Studio IA module. One installer, rights that switch on.
€179
then €429 after launch
Prices exclude tax, calculated at checkout · perpetual license, one user, two machines, updates included · modules still to come are sold separately · 14-day trial, no card · DaVinci Resolve Studio and any usage on your own keys not included
Software
Windows
macOS
DaVinci Resolve Studio
available
not yet
Premiere Pro
not yet
not yet
Final Cut Pro
not yet
not yet
Avid Media Composer
not yet
not yet
What is greyed out does not exist yet. The scripting interface FULLCUT needs is reserved for Studio by Blackmagic.
Do my rushes go off to a server?
No. The picture and the sound never leave your machine, and transcription runs on your own card. The transcribed text does leave for the steps that call a model, and the screen names which ones before running them.
Are my rushes used to train your AI?
No, and there is nothing to switch off: FULLCUT has no reporting channel at all. The day it has one it will be a box unticked by default, and it will carry your corrections only.
Where does the 45-minute figure come from?
Two hours of cutaways and one hour of interview. The 45 minutes are your time, in front of the screen, reviewing and ticking. The compute runs for an hour beside you. Only the interview hour costs anything: three times real time, twenty minutes. Cutaways do not speak, so they are not transcribed.
Which version of DaVinci Resolve?
Tested on Resolve Studio 21. The scripting interface FULLCUT needs is reserved for Studio by Blackmagic. We are measuring what the free version allows, and we will publish the result here, whatever it turns out to be.
What happens if I stop paying?
Nothing: there is nothing to pay afterwards. The license is final and updates are included. Only the modules still to come will be sold separately.
Does it work offline?
Clean, Derush and transcription: yes. The chapters and the first version need a connection.
What language is the software in?
FULLCUT's interface is in French. This site is in French, English and Spanish.
What if it does not work on my footage?
That is the real risk: everything was measured on the interviews of a single studio. The trial runs fourteen days, no card and no watermark, on a real project. It is the only test that counts.
FULLCUT
You get your evenings back.
Fourteen days, no card, no watermark. Long enough for it to read your old edits, and to have learned your grammar before the next shoot even starts.
Windows · DaVinci Resolve Studio 21 · from €79, once